entre aspas

In “The Shallows: What the Internet Is Doing to Our Brains,” the technology writer Nicholas Carr extends this anxiety to the 21st century. The book begins with a melodramatic flourish, as Carr recounts the pleas of the supercomputer HAL in “2001: A Space Odyssey.” The machine is being dismantled, its wires unplugged: “My mind is going,” HAL says. “I can feel it.” For Carr, the analogy is obvious: The modern mind is like the fictional computer. “I can feel it too,” he writes. “Over the last few years, I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory.” While HAL was silenced by its human users, Carr argues that we are sabotaging ourselves, trading away the seriousness of sustained attention for the frantic superficiality of the Internet.


One of Carr’s most convincing pieces of evidence comes from a 2008 study that reviewed 34 million academic articles published between 1945 and 2005. While the digitization of journals made it far easier to find this information, it also coincided with a narrowing of citations, with scholars citing fewer previous articles and focusing more heavily on recent publications. Why is it that in a world in which everything is available we all end up reading the same thing?


 The rise of the written text led to the decline of oral poetry; the invention of movable type wiped out the market for illuminated manuscripts; the television show obliterated the radio play (if hardly radio itself). Similarly, numerous surveys suggest that the Internet has diminished our interest in reading books. Carr quotes Wallace Stevens’s poem “The House Was Quiet and the World Was Calm,” in which stillness allows the reader to “become a book.” The incessant noise of the Internet, Carr concludes, has turned the difficult tex into an obsolete relic.

Jonah Lehrer, aqui.